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Author Topic: Creating Studio Quality Pics Tutorial (Pic Heavy)  (Read 4016 times)
Master Venturous
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« on: December 30, 2014, 01:16:03 AM »

In this tutorial, I will be taking you through the process of creating images that one might receive when doing a photoshoot in a studio. The question is, what makes such a picture what it is or what separates studio-quality pictures from regular pictures? The answer is good use of lighting. I will be using examples of pictures I've taken to explain what I mean.

Here is an example with average/ok lighting:




Here is an example with good lighting:




As you can see, there is a dramatic difference between the two. The first pic was shot with an overhead ceiling fan light filling the entire room, whereas the second was shot with two light sources (an LED work light and a phone LED light) in a darkened room. Both images were taken in the same room, the only difference being the lighting changed. Now I will get into the actual tutorial section of this. If you wish to try your hand at making studio-quality images, there will be some things you'll need in order to do so.


I. Things You Will Need

1. A camera with the ability to manually change ISO and Shutter Speed settings.
Obviously if you want to take good pictures, you need a camera. However, it is important that the camera you use have the capability of allowing you to change its ISO and Shutter Speed settings manually. The reason for this is because both play an integral part in controlling the light to achieve the shot you want to take. I will not get too detailed as to what each setting does, but basically, the ISO value determines how much noise or grain is in an image and the Shutter Speed is how quickly the shot takes. You want to aim for a relatively low ISO (400-1000) to keep a lot of noise out of your images and a relatively fast Shutter Speed (1/5 of a second to 1/20 of a second) to keep your images sharp enough.

2. Two light sources
As we've seen, good lighting can make all the difference between an ok image and a great image. The question is, what do you use for light sources and where do you put them? Actual studio lights can be a little too expensive for most people, so what other options are there? You'll be pleased to hear that there are very cheap options to achieve very similar effects to studio lighting. The cheapest of all is actually free, which is using a window to light whatever subject you are shooting. Most windows on a sunny or slightly overcast day can provide excellent lighting for any shot. Another good light source I've found to use is an LED work light, which can be purchased in most stores for around $20 with varying amounts of LEDs and power options. And when you really get desperate or are on a tight budget, you can always use the LED flash on your phone if it has one. Other options are flashlights and even the saber itself you are shooting with.

3. Tripod or some stable surface to set camera on
Without some form of a way to stabilize your camera, your images will likely turn out blurry to some degree. If you look at studio images, they are always sharp, so you want to make sure your camera doesn't move when taking pictures, especially if you have to use a slower Shutter Speed. With enough light however, a faster Shutter Speed is able to be used, which helps in taking sharper images.

4. (Optional) Any version of Photoshop or program used to cut out images
This is optional only if you want to cut out your subject and place it on other backgrounds.


II. Single Light Images

This section will cover the various ways to position and use a single light source, whether it be a window, a flashlight, a work light, an LED flash from a phone, or a saber. I'll be showing images with different lighting positions so that you can see how the positioning of the light affects the look of the shot.

1. Front Lighting



This type of lighting involves the light source coming from the direction the camera is shooting from. This can be the flash on the camera itself or an external light source near where the camera is. If you are using the flash on the camera, you will usually get pretty flat lighting that is typical of most images. Having an external light source is advantageous because you can position it wherever you like, as well as different elevations above or below the subject for different lighting effects. The image below was taken with a single light just below the camera.



2. Side Lighting



This is where having an external light sources comes in handy. Being able to position your light source lends itself to more dramatic shots. The image below was shot with an LED work light to the right of the subject.



3. Back Lighting



Often times, back lighting will not really be used, but it is worth mentioning here. It is mainly used along with other light sources that illuminate the front or sides of a subject and less by itself. When used by itself, it has more of a silhouette effect. This shot was done with a single light source behind the subject.



4. Saber Lighting
This is pretty self-explanatory. Saber lighting is when the saber you are using is the only light source in the shot. The Shutter Speed and ISO settings you use with saber shots will change how the saber looks in the actual shots. A high ISO and a longer Shutter Speed will result in more of the white core of the blade showing, whereas a lower ISO and faster Shutter Speed will result in more of the actual blade color showing. The image below is an example of this type of lighting.




III. Two Light Images

1. Front and Side Lighting



Now we get into using two light sources, which greatly enhances the variability of the different shots you can take. This also means you have more light to play with, which in turn means the possiblity of using faster Shutter Speeds for sharper images and less noise in your shots from a lower ISO setting. Below is a shot taken with a phone LED light beneath the camera and a work light to the right of the subject.



2. Side to Side Lighting



This lighting scheme uses a light on either side of the subject and achieves very dramatic effects. These lights can be positioned diagonally from the subject or in a straight line to the subject, as shown in the scheme above. Either way produces strong effects. This shot was created using a light source on either side of the subject.



3. Front and Back Lighting



This one is simple enough, though it is not used that often because of the flat lighting from the front. It is important to mention however, so that the effect it creates can be seen. In the shot below, a phone LED light was positioned below the camera and a work light behind the subject.



Optional Steps

IV. Cutting Out Images

If you have a good shot with good lighting, you can obvisouly stop there if you want, but sometimes the background you shot against just isn't as interesting as the subject and can therefore become a distraction. This is when knowing how to cut your subject out of the background onto a new one comes into play. The best program I've come across to do this is Photoshop. Any version will work and there are several ways of going about cutting your subject out. If you shot your images against a solid background with a different color than the subject, you can easily remove the background with a few clicks. If the background is more complicated however, then the pen tool becomes your best friend. Here is a video detailing how to extract a subject from a background with the pen tool.

https://www.youtube.com/watch?v=6WJj6iNr6K0&list=FLR1bX1OucgsmuuBmdcNU5kw&index=1

Once extracted, you should now have only your subject, which you can then place against whatever background you choose. I have chosen one of my images from above and have cut the subject out of the background to do just that.







V. Choosing A Background
When choosing a background, you can choose whatever you like. However, to achieve a studio-looking final image, it helps to pick a background with a similar lighting scheme to the subject in the image. If you place your subject against a background with a different lighting scheme, you will find that the final image doesn't look quite right because there are two different lighting scheme going on. This can be fixed with Photoshop to an extent, but it is best to either pick a background with a similar lighting scheme to your subject, or shoot your subject with a similar lighting scheme to an already chosen background.

Since the image I chose to use has a single light source coming from my right, I want to choose a background with a similar scheme. After choosing a suitable background and cutting my image onto it, here is the final image below.



Because I choose a background with a similar lighting scheme to my subject, the overall image works a lot better than if I had chosen one with a different lighting scheme. The two images blend together, rather than contradict each other.


VI. Multiple Subject Lighting

If you want to take pictures with multiple subjects, whether they are all present in the shot or composited, it is important to use the same lighting scheme for all of them. This is more the case when compositing different images together. An example of this would be if you have mutliple characters that you want in the same image, but have to shoot at different times. The ideal scenerio would be to shoot all subjects with the same light source, but if that is not possible, at least aim for the same kind of lighting scheme for all subjects. By this I mean if one subject is shot with a single light source from the side, then all subjects should be shot with a similar lighting scheme. Below are two images that illustrate this principle.

This image is of two of my costumed characters fighting each other. Obviously I can only shoot one character at a time, so I shot each character using a window as my light source in the same position for each character. Then I cut them out of their backgrounds into a single image.



The same window light source was used for this image as well, only this time I had four shots to take. However, it was not a problem blending them all together because I used the exact same light source for all four images. From there, it was just a matter of cutting each subject out and putting them all on the same image.



Hopefully this tutorial has illustrated how important lighting is to creating professional-looking images and how different lighting schemes can be used to vary the look of your shots. I'm always up for answering questions, so if you have any just let me know in this thread or a PM.
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SomeOneQC
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« Reply #1 on: December 30, 2014, 04:10:55 AM »

Wonderful, thanks for all this! It will be useful.
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« Reply #2 on: December 30, 2014, 05:10:38 AM »

This is really useful information.  I've been trying to figure out the best way to take pics of sabers.  Thank you so much!
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Zren Tobas
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« Reply #3 on: December 30, 2014, 08:15:08 AM »

Yes. Those ISO and shutter speed settings helped out greatly. I'll post some pics of my own using them. Tested them out just now and they looked awesome specially on saber blades. I'll show what setting was used for each pic.
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« Reply #4 on: December 30, 2014, 09:41:26 PM »

Thanks Master venturous. This really helped a lot. Here are some pics that I tried out just now. Cheesy I personally like the first three, last one is too bright. Only light source is from my window with natural light coming in so. I don't have any fancy editing stuff or green screen stuff so I have what I can work with.

ISO 400 shutter speed 5:


ISO 400 shutter speed 20:


ISO 1600 shutter speed 5:


ISO 1600 shutter speed 20:

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« Reply #5 on: January 02, 2015, 02:37:29 AM »

What about that lamp in the background?

Use that.
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« Reply #6 on: January 02, 2015, 02:46:43 AM »

Thanks Master venturous. This really helped a lot. Here are some pics that I tried out just now. Cheesy I personally like the first three, last one is too bright. Only light source is from my window with natural light coming in so. I don't have any fancy editing stuff or green screen stuff so I have what I can work with.

ISO 400 shutter speed 5:


ISO 400 shutter speed 20:


ISO 1600 shutter speed 5:


ISO 1600 shutter speed 20:





I like the pics, though if I may offer a suggestion...there is a lot of grain or noise in your pics, which is caused by the higher ISO setting (some cameras handle ISO better than others). I really like the second one with the ISO 400 and shutter speed at 20. I would suggest the same shutter speed, but at a little lower ISO setting (maybe something around 200-300) and see if that helps more with the noise. If the image turns out too dark, you can always compensate with a little slower shutter speed.
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Master Venturous
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« Reply #7 on: January 02, 2015, 02:49:20 AM »

Also I would suggest moving closer to the light source to give the shot a little more dramatic effect. The further you are away from the light source, the more the light is dispersed around the area and the softer the lighting effect is. The closer you move to it, the more dramatic effect you achieve.
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Zren Tobas
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« Reply #8 on: January 03, 2015, 09:03:32 PM »

And again my camera only does 100 to like 2400, no 300 or in between. u.u So maybe the 200 might work
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« Reply #9 on: January 13, 2015, 10:36:59 PM »

So this was taken with my phone. ISO set at 400 and exposure at like 2/1 on the plus side. How can I get this type with my camera? Same way but on shutter speed mode? And wanted to see how my Emerald Green blade would look in a regular Heavy Grade blade so, and I like the color in that blade. Thanks for any help. =] Saber pics always turn out better on my phone for some reason over my camera but there isn't phone tri pods.



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Next sabers: Dark Prophecy BVA, Negotiator AS, Enigma EG, Brylark CE SY
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« Reply #10 on: February 22, 2015, 10:18:05 PM »

Venturous, that ISO 200 and shutter speed at 20 really works even without my lamp as an extra light source, just tried pics with both just my main room light and the lamp. Thanks for that tip =] The red on my Blazing Red Shock blade really popped out on that given setting
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Sabers: Liberator V3 CG ObsV4 sound!, Graflex GB, Overlord AB, Crimson Savior BR, Bane PO, Dark Initiate V2 LE BH, Shock GB, Archon V2.1 CG, Dark Sentinel LE GB ObSLite!, Standard Issue V3 CG, Dominix V3 LE BR, Sentinel SRD, Dominix V2 FO
Next sabers: Dark Prophecy BVA, Negotiator AS, Enigma EG, Brylark CE SY
[/url]SW1 by joshgarcia07[/url

Master Venturous
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« Reply #11 on: February 22, 2015, 10:27:07 PM »

Glad it worked out for you. Sometimes it's just trial and error until you find the settings you like.
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Zren Tobas
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« Reply #12 on: February 22, 2015, 10:34:05 PM »

I actually did try a faster shutter speed and now its set at 200 ISO and 13 shutter speed, you should try that sometime with another saber pic. Makes the blades look good. I should see about getting an LED type light though for my lamp. Does make for a good light source for photos at home and such
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Sabers: Liberator V3 CG ObsV4 sound!, Graflex GB, Overlord AB, Crimson Savior BR, Bane PO, Dark Initiate V2 LE BH, Shock GB, Archon V2.1 CG, Dark Sentinel LE GB ObSLite!, Standard Issue V3 CG, Dominix V3 LE BR, Sentinel SRD, Dominix V2 FO
Next sabers: Dark Prophecy BVA, Negotiator AS, Enigma EG, Brylark CE SY
[/url]SW1 by joshgarcia07[/url

Zren Tobas
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« Reply #13 on: February 23, 2015, 03:19:16 AM »

Was wondering, how many inches away from me to the right you think would be good for my lamp to get a really good effect?
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Next sabers: Dark Prophecy BVA, Negotiator AS, Enigma EG, Brylark CE SY
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Master Venturous
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« Reply #14 on: February 23, 2015, 04:02:44 AM »

It depends on the intensity of the light and the effect you want to achieve with it. If you want more of a hard light effect, it can be put a bit closer, but if you want more even lighting and more light dispersion, the put it farther away from you.
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